Play Along Piano

Tags

Baroque

Gavotte in C majore

pepacechticky1

1:36	Est. Play Time
26	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	19	51	4	3	100%
	15	0	3	3	100%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	19	51	4	3	100%
	15	0	3	3	100%
Violin 1	14	0	4	3	100%
Violin 2	13	0	3	3	100%
Violin 3	9	0	1	3	100%
Violoncello	15	0	3	3	100%

Bach: "Wie schoen leuchtet der Morgenstern" (1725)

SpaceGuru5

1:44	Est. Play Time
16	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	11	0	0	4	100%
	13	0	2	3	100%
View all 17 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	11	0	0	4	100%
	13	0	2	3	100%
	9	0	0	3	100%
B♭ Trumpet	12	5	0	2	100%
	9	2	1	4	100%
Horn in F	9	0	0	5	100%
	9	2	1	4	100%
Alto Saxophone	9	2	1	4	100%
B♭ Clarinet	12	5	0	2	100%
Baritone Saxophone	12	0	2	3	100%
Flute	12	5	0	2	100%
Pipe Organ	13	0	2	3	100%
Soprano Instruments Alto Instruments	12	2	1	4	100%
Tenor Instruments Bass Instruments	24	12	3	5	100%
Tenor Saxophone	9	0	0	5	100%
Trombone	12	0	2	3	100%
Tuba	12	0	2	3	100%

2. Aria

Wolfgang Glas

1:36	Est. Play Time
24	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
B Trompete	9	1	5	100%
	11	2	5	100%
Posaune	11	2	5	100%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
B Trompete	9	1	5	100%
	11	2	5	100%
Posaune	11	2	5	100%

HWV7A2N10 - "Lascia ch'io pianga" in F Major (Almirena)

edward.maurath

1:54	Est. Play Time
42	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	20	44	5	4	100%
	16	0	2	5	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	20	44	5	4	100%
	16	0	2	5	100%
Cello	15	0	2	5	100%
Almirena	12	0	3	6	81%
Bass	10	0	0	5	71%
Viola	10	0	1	5	71%
Violin I	10	0	1	5	71%
Violin II	9	0	1	5	71%
Violoncellos	10	0	0	5	71%

HWV8A1N9b - Tenor Aria for Sivio "Di goder il bel ch'adoro"

edward.maurath

1:48	Est. Play Time
39	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	24	20	4	5	100%
	16	7	2	6	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	24	20	4	5	100%
	16	7	2	6	100%
Violin 1	10	0	1	6	92%
Violin 2	15	0	1	7	92%
Violoncello	15	0	2	5	79%
Silvio	11	0	2	6	77%
Contrabasses	14	0	2	4	69%
Violoncellos	14	0	2	4	69%

BWV245N11 - Wer hat dich so geschlagen - Chorale in A Major

edward.maurath

1:36	Est. Play Time
25	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	12	7	2	4	100%
	16	1	5	5	100%
View all 17 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	12	7	2	4	100%
	16	1	5	5	100%
Organo Continuo	10	2	1	5	100%
	16	0	5	5	100%
Alti	10	0	1	5	100%
Bassi	16	0	5	5	100%
Bassono Grosso Continuo	16	0	5	5	100%
Bassoon Continuo	16	0	5	5	100%
Contrabassi Continuo	16	0	5	5	100%
Flauto Traverso	7	0	0	5	100%
Oboe	7	0	0	5	100%
Soprani	7	0	0	5	100%
Tenori	9	0	2	4	100%
Viola	10	0	1	5	100%
Violin 1	7	0	0	5	100%
Violin 2	10	0	1	5	100%
Violoncelli Continuo	16	0	5	5	100%

"Quel ch'il cielo" from "Il Pastor Fido," HWV 8a, 1712

edward.maurath

1:31	Est. Play Time
55	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon	14	0	2	3	100%
	10	0	1	3	100%
View all 15 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon	14	2	3	100%
	10	1	3	100%
Harpsichord	10	1	3	100%
	14	2	3	100%
Oboe	13	3	7	100%
	12	3	5	100%
Contrabasses	14	2	3	100%
Viola	10	1	3	100%
Violoncello	14	2	3	100%
Vn 1	13	3	7	100%
Vn 2	12	3	5	100%
Bass	12	2	3	93%
Soprano	12	3	6	93%
Tenor	11	2	3	93%
Alto	12	3	4	87%

HWV56N37 - The Lord gave the word

edward.maurath

1:32	Est. Play Time
25	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo	15	39	1	4	92%
	9	19	0	4	92%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo	15	39	1	4	92%
	9	19	0	4	92%
Cello	12	0	0	4	92%
Violone	12	0	0	4	92%
Viola	10	0	0	5	88%
Vln I	16	0	1	7	88%
Vln II	16	0	1	5	88%
Bassi	11	0	0	6	84%
Tenori	10	0	1	6	84%
Alti	8	0	0	6	80%
Soprani	10	0	1	6	80%

HWV56N46 - Since by man came death

edward.maurath

1:45	Est. Play Time
39	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alti	9	0	2	5	92%
Bassi	15	0	3	5	92%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alti	9	0	2	5	92%
Bassi	15	0	3	5	92%
Soprani	12	0	3	5	92%
Tenori	10	0	1	5	92%
Organ	17	56	4	4	69%
	14	18	3	4	69%
Cello Continuo	16	0	2	4	67%
Contrabass	16	0	2	4	64%
Viola	13	0	1	4	64%
Violin I	13	0	3	4	64%
Violin II	13	0	2	4	64%

Bois épais (Amadis - Jean-Baptiste Lully)

Carlos E. Marrero

2:04	Est. Play Time
56	Measures
	1,148Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Clave II	19	8	3	7	100%
	21	6	5	6	100%
View all 17 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Clave II	19	8	3	7	100%
	21	6	5	6	100%
Clave I	21	43	5	17	100%
	20	0	2	6	97%
Cello	18	0	3	6	100%
Contrabajo	19	10	3	6	100%
Violas 1	14	0	1	7	100%
Violas 2	13	0	1	6	100%
Violines 1	13	0	2	7	100%
Violines 2	13	0	3	6	100%
Amadis	12	0	2	8	75%
Oboe d'Amore	12	0	5	8	75%
Flauta	13	0	1	5	27%
Oboe	7	0	1	5	27%
Fagot 1	9	0	0	6	25%
Fagot 2	15	0	1	5	25%
Clarinete en Si♭	8	0	1	5	9%